English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 110934/141854 (78%)
Visitors : 47814661      Online Users : 923
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/41442


    Title: 《莫斯科2042》與《kys》的普希金主題
    莫斯科2042與kys的普希金主題
    Authors: 賴盈銓
    Lai Yin-chuan
    Contributors: 國立政治大學俄國語文學系
    Keywords: 普希金;後現代主義;解烏托邦文學
    Pushkin’s motif;Moscow;dystopia;postmodernism.
    Date: 2008-03
    Issue Date: 2010-06-11 09:39:04 (UTC+8)
    Abstract: 本研究主要是探討二十世紀末期著名作家：沃伊諾維奇（В.Н. Войнович 1932-）及托爾斯塔雅（Т.Н. Толстая 1951- ），分別為《莫斯科2042》（Москва 2042）及《kys》（Кысь），並藉著研究他們有關普希金主題之著作，以分析「普希金性格」在時代價值思維轉型時，所呈現的文化意涵與書寫者之創作心理、文學觀及世界觀。十九世紀的文藝理論家葛里哥耶夫（Аполлон Григорьев 1822-1864）將普希金視為俄羅斯精神文化的代表，並將他概括為「俄羅斯的一切」（Пушкин－наше всё）。現代文學評論家帕拉莫諾夫（Борис Парамонов）則稱普希金為「俄羅斯的空無」（Пушкин－наше ничто）2F ，意義何在呢？從「一切」到「空無」，乍看之下，似有天壤之別，其實皆屬形而上學之範疇，在不同時代中，普希金的形象演化被賦予不同意義，可藉由分析和考察個別文學創作以獲得較明確的論點。
    The pronouncement by Appolon Grigoryev (1822-1864) “Pushkin is our everything” is proved to be an aphorism, which could be explained by the growth of Pushkin’s influence widely found in the later works of Russian literature. The paper, in this connection, is to explore the track of Puskin in the Moscow 2042 (V. Vojnovich ) and Kys (T. Tolstaya), which appeared in the literal field with features of postmodernism. Both fictions are also reviewed in the aspects of 1) Moscow as the symbol of culture and power, 2) dystopian genre, 3) Pushkin’s motif.
    The animation of Pushkin’s monument and the superficial understanding of Puskin’s idea by personage in Kys (T. Tolstaya ), make the pronouncement by Boris Paramonov “Pushkin is our nothing” also correct and significant in the context of “postcivilizational era”.
    Relation: 俄語學報 ,12,p.19-41
    Data Type: article
    Appears in Collections:[斯拉夫語文學系] 期刊論文
    [俄語學報] 期刊論文

    Files in This Item:

    File SizeFormat
    NccurHandle41422賴盈銓.pdf588KbAdobe PDF22479View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback