English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 110119/141062 (78%)
Visitors : 46513071      Online Users : 879
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/96915


    Title: 南宋乾淳文制變遷與辭賦風尚
    Other Titles: The Changes of the Cultural System in the Years of Qiandao and Chunxi and the New Tendencies of Fu in the Southern Song Dynasty
    Authors: 許結
    Xu, Jie
    Keywords: 乾淳;律體;批評;文制變遷;辭賦風尚
    Qian-Chun;regulated fu;criticism;changes of the cultural system;tendencies of fu writing
    Date: 2012-06
    Issue Date: 2016-05-23 15:57:44 (UTC+8)
    Abstract: 南宋孝宗朝的乾道、淳熙年間,因朝廷隆文政策的取向,一時文學彬彬之盛,被史家稱之「小元祐」,而辭賦創作也隨著文制的變遷,特別是對科舉考賦的歸復與推崇,成為繼宋初殿試辭賦、元祐恢復考賦而出現的又一賦學隆興的歷史階段。在這一階段,由於科舉考賦的宣導,辭賦風尚出現了兩大明顯走向:一是對律賦的重視,在文人筆下出現了大量的律賦創 作,成為南宋律賦創作的代表;二是對辭賦創作典範的塑造,其中又包涵了兩個方面:一則追溯當朝歷史,樹立了歐(陽修)、蘇(軾)賦的創作典範;一則當時科場律賦的大量創作,又為後世樹立了頗有時代特色的諸如陳傅良、樓鑰等人律賦創作的典範,堪稱賦壇之「乾淳體」。南宋後期因賦家對乾、淳遺老律賦創作的心摹手追,又形成辭賦批評求適於文場的應用性之一翼,而與文人賦批評出現對待與分離的態勢。
    With the national policy emphasizing on literary writings, the years of Qiandao and Chunxi in the Southern Song are compared by historians to the years of Yuanyou in the Northern Song Dynasty. Fu revives and flourishes during the years of Qiandao and Chunxi because it is reinstated as an item of the imperial examination. Two apparent new tendencies emerge: an emphasis on the lüfu (regulated fu) and the formation of the Qian-Chun style. The Qian-Chun style is a combination of the Ou style (Ouyang Xiu’ style) and the Su style (Su Shi’s style) in the Northern Song, and the style of the writers then, such as Chen Fu-liang and Lou Yue. Lüfu works in this period are considered the most representative of this genre in the Southern Song Dynasty. In the last period of the Southern Song, the imitation of the Qian-Chun style leads to the existence of a new type of fu criticism, which especially opposes the traditional artistic criticism and stresses on the pragmatic value of fu in the imperial examination.
    Relation: 政大中文學報, 17, 161-184
    Bulletin of the Department of Chinese Literature National Chengchi University
    Data Type: article
    Appears in Collections:[政大中文學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    17(161-184).pdf3191KbAdobe PDF2409View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback