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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/33352

    Title: 跨越疆界—論薩曼˙魯西迪小說【東,西 】中的第三空間
    Transgressing the Boundary- The Third Space in Salman Rushdie's East, West
    Authors: 施恩惠
    Shih, En-huei
    Contributors: 劉建基
    Liu, Chien-chi
    Shih, En-huei
    Keywords: 漂泊離散
    cultural translation
    a new zone of the novel
    Date: 2004
    Issue Date: 2009-09-17 16:20:56 (UTC+8)
    Abstract: 本論文主要是在探討薩曼、魯西迪在東,西小說中如何運用以第三空間為策略在二元對立的世界中找到出口。由於魯西迪漂泊離散的身分,他選擇將自己置於曖昧矛盾的第三空間中以避免被挾制於特定論述或意識形態中。因此魯西迪藉由能夠模糊政治、語言、以及文學方面界線的第三空間為策略,來顯示他如何以曖昧矛盾的處世態度在二元對立的世界中取得自身的主導權。
    The aim of the thesis is to scrutinize how Salman Rushdie finds an outlet in the dichotomous world by means of the third space in East, West. Due to his diasporic identity, Rushdie decides to stay in an ambivalent space, avoiding being confined in specific ideology or discourse. As a result, using the strategy of the third space, which blurs political, linguistic, and literary boundaries, Rushdie shows how he earns agency in the dichotomous world.
    This thesis deals with three kinds of third space: diaspora space, linguistic space, and literary space. Each chapter unfolds how Rushdie uses the strategy of the third space to resist hegemonic discourse on human identity, the Standard English, and literary canons. Chapter II begins with an introduction of the diaspora space, by which diasporans are able to maintain their unique identities without being co-opted into a specific subject position. In Chapter III, both traditional cultural translation and the Standard English are questioned in terms of the linguistic third space. By means of the linguistic space, Rushdie challenges the monolithic cultural representation and pureness of the Standard English. The space also helps the distorted and misrecognized eastern culture articulate by appropriation of English. In Chapter IV, I will take metafictional parody and Bakhtin’s new zone of the novel to analyze how Rushdie creates a literary third space to lay bare the fabricated nature of writing and at the same time to combine social and literary critiques within the novel. To sum up, the three types of the third space in East, West not only reflect Rushdie’s refusal to taking sides but also bring dynamics to the dichotomous world.
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    Description: 碩士
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0915510161
    Data Type: thesis
    Appears in Collections:[英國語文學系] 學位論文

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